Neon Indian
Shine, Vancouver, BC November 16

By Al Smith

The meteoric rise of 21-year-old Alan Palomo, doing business as Neon Indian, is an example of new media hype at its runaway-train finest. All the elements are there: blog-fuelled hysteria over single "Deadbeat Summer," rave reviews for the excellent full-length Psychic Chasms and a recent feature on ABC World News. So for a tour like this you knew that the kids would come. And so they did, packing Vancouver's diminutive Shine nightclub to the rafters despite weather that was about as bad as it gets in Vancouver.

The performance wasn't without problems, though. There isn't really a stage to speak of at Shine (it's more of a dance club), so unless you were exceptionally tall or had managed to wedge yourself up front, you weren't seeing much of the band. Not that there was much to see — Neon Indian collaborator and visual artist Alicia Scardetta's projections were seemingly absent from what is often billed as a sort of multimedia show, and Palomo and his touring band didn't do much to make up for it. Neon Indian is also a little short on material; the set lasted about half an hour, which was a little disappointing given the long wait (they didn't get started until 12:45 p.m., following nearly three hours of competent but unremarkable DJ sets). This meant that by the end of this Monday evening, most gainfully employed audience members had bolted for home.

Despite all of this, the show was a definite success. There is something exciting about Neon Indian — they have captured a certain cultural zeitgeist, sounding like the latest lo-fi sensation from the Woodsist roster peppered with the 8-bit nostalgia popularized by Crystal Castles. This may not bode well for their longevity, but for the time being, their hazy but danceable reimagining of '80s pop is one of the best things going. Augmented by live drums, and with synth licks flitting across the beats like acid tracers, Psychic Chasms tracks like "Terminally Chill" and "Ephemeral Artery" had the tightly packed audience swaying and bobbing euphorically, taking a short, sunny, drug-hazed vacation from the record-setting deluge outside.
Sunparlour Players / Sheesham & Lotus
The Idan Raichel Project
Real Estate - Real Estate
The Mayfair Set - Young One + Self-Titled
Leyland Kirby - Sadly, The Future Is Not What It Was
Kraftwerk - 12345678: The Catalogue
Cloak/Dagger - Lost Art
Bebel Gilberto - All In One
Lyle Lovett - Natural Forces
Will Hoge - The Wreckage
Will Stratton - No Wonder
Dave Rawlings Machine - A Friend of a Friend
Juliette Lewis - Terra Incognita
Sea Wolf - White Water, White Bloom
Yim Yames - Tribute To
Ambarchi / Fennesz / Pimmon / Rehberg / Rowe - Afternoon Tea
Wooley / Lytton / Grubbs - Seven Storey Mountain
Ganesh Anandan & Hans Reichel - Self Made
Todor Kobakov - Pop Music
Castanets - Texas Rose, The Thaw & The Beasts
Low Low Low La La La Love Love Love - Feels, Feathers, Bog And Bees
Nocturnal Fear - Metal Of Honor
Slayer - World Painted Blood
Green Jellÿ - Musick To Insult Your Intelligence By
DRUDKH - Autumn Aurora
Letting Up Despite Great Faults - Letting Up Despite Great Faults
Comanechi - Crime of Love
Brilliant Colors - Introducing
Star Fucking Hipsters - Never Rest in Peace
Bastard Child Death Cult - Year Zero
Antonio Valdetaro e Grupo - Letícia
Ken Aldcroft’s Convergence Ensemble - Our Hospitality
Devin Townsend Project - Addicted
The Expos - Blackwater
Ray Charles - Genius Hits the Road
Marek Hemmann - In Between
Emptyset - Emptyset
Bassnectar - Cozza Frenzy
Basement Jaxx - Scars
David Sait - Postage Paid Dues — Volume 2
Muskox - 5 Pieces
Friendly Rich - Presents Pictures At An Exhibition
March Fourth Marching Band - Rise Up
Fat Freddy’s Drop - Dr. Boondigga & The Big BW
Collage - 54’05”
The Quiet Nights Orchestra - Chapter One
Sabrina Malheiros - New Morning
Chief - Collabo Collection
Paten Locke - Super Ramen Rocketship
DJ Spooky That Subliminal Kid - The Secret Song
Scottt Catolico - Massacre
The Bushpilots - Seven Ways to Broadway
Coalesce - Ox EP
Black Anvil - Time Insults the Mind
Culted - Below the Thunders of the Upper Deep
Between the Buried and Me - The Great Misdirect
Gossip - Music for Men
Bell Horses - This Loves Last Time
Shonen Knife - Super Group
Hockey - Mind Chaos
The Dudes - Blood Guts Bruises Cuts
Lee & Willbee - North Carolina
Teenage Bottlerocket - The Came From The Shadows
Krum Bums - Same Old Story
Los Yetis - Nadaismo A Go-Go!
Sacrifice - The Ones I Condemn
Priestess - Prior To The Fire
Various - Fire In My Bones: Raw & Rare & Otherworldly African-American Gospel (1944-2007)
The Schomberg Fair - Gospel
Various - D-Funk: Funk, Disco & Boogie Grooves From Germany 1972 — 2002
Grand Archives - Keep In Mind Frankenstein
7 Worlds Collide - The Sun Came Out
A Fine Frenzy - Bomb in a Birdcage
Raveonettes - In And Out Of Control
Headlights - Wildlife
Jakartah - In the Nervous Light of Coincidence
Sunny Day Real Estate - Diary
The Noisettes - Wild Young Hearts
Tinted Windows - Tinted Windows
Alice in Chains - Black Gives Way to Blue
Fashawn - Boy Meets World
Corporation - Return of the Corporation
Idlers - Keep Out
Mark Matos and Os Beaches - Words of the Knife
Genitorturers
The Jesus Lizard / Brides
Deastro / Max Tundra
Miles Benjamin Anthony Robinson / These United States
Dinosaur Jr. / Pink Mountaintops
Young Galaxy / Politique / Blazer
The Fiery Furnaces / Cryptacize
Jonas Reinhardt / Sinoia Caves / Valet
Muse - The Resistance
Ricca Razor Sharp - Causeways & C-Trains
Muneshine - Status Symbol
Magnolius - Mary Musht
Port-Royal - Dying In Time
John Abercrombie - Wait Till You See Her
Mark Knopfler - Get Lucky
Mountain Goats - The Life of the World to Come
The first Uncharted was unheralded, an out-of-nowhere blast of awesome that finally let PS3 owners brag about the console's software, not just its hardware. Sure, its Indiana Jones-aping approach had previously been pixelated by Tomb Raider but Uncharted's art direction, ... Full Review
Commercial potential? The Avetts have it in spades, so don't be surprised if this disc blows up big. After building a grassroots following independently, the North Carolina trio signed to Rick Rubin's American label, and the man himself produced this, their fifth album. It's ready for primetime, as ... Full Review
Sitting in a Toronto coffee shop the week before the release of Little Girls' debut album, 20-year-old Josh McIntyre is a little worried. After an opening slot for crazed Israeli rockers Monotonix the previous night, the band's guitarist had his guitar amp repossessed. "He had it for a little longer than he was supposed to have it," he says dryly. A replacement needs to be wrangled before the band set out for their gig in Hamilton tonight.... Read More
Viewing the August 2007 Issue: Contents PageNewsClick Hear • Articles --> On the Cover  •  Front Five  •  Points  •  Comics  •  Questionnaire  •  Release Dates  •  Research  •  Timeline  •  Web Exclusives • Music Reviews --> Recently Reviewed  •  Aggressive Tendencies  •  Beats & Rhymes  •  Frequencies  •  Groove  •  No Future  •  Pop Rocks  •  Wood, Wires & Whiskey  •  Concert Reviews • Motion Reviews --> Recently Reviewed  •  Dvd Reviews  •  Film Reviews  •  Music DVD Reviews  •  Videogame Reviews • Music School --> Label Life  •  Where I play Contests • Contact --> About Us  • Advertising  • Distribution  • Getting Reviewed  • Getting Published  • Letters To The Editor  • Partnerships  • Subscriptions • Exclaim! Radio --> Aggressive Tendencies Radio  • Beats & Rhymes Radio  • Frequencies Radio  • Destination Out Radio  • Groove Radio  • No Future Radio  • Pop Rocks Radio  • Wood, Wires & Whiskey Radio Exclaim! TV • Home & Latest Issue Browse Issues