Be Bad
Vision Correction

By Liz Worth

In two years, Halifax, NS’s Be Bad have disseminated their broad strokes of coarse, rash explosions via short-run seven-inches and North American tours but the jaws of Be Bad’s vast pulsations are now gaping open and baring their teeth with the band’s first full-length, Vision Correction. Though it clocks in at less than 30 minutes, there’s an expansive quality to this album that’s a testament to Be Bad’s no fear approach when it comes to flailing outside of the margins. Trailing into exploratory deconstructions by playing around with tunings, even getting improvisational at one point, Vision Correction is a masterpiece of self-contained destruction. Recorded in three days after two months of near daily rehearsals, Be Bad’s Tobias Rochman compares the 12-hour days that went into this record to desperation or obsessive compulsion. But it’s also about variations. “Rat Race” is a blistering freak-out that shoots a reckless dose of devastation early on, while “(I’ve Got No) Positive Vibrations” concludes the album like a grinning provocation, taking a more straight-ahead approach but still careening way off the rails. Combining the primal and the cerebral, Vision Correction show’s Be Bad’s many facets while delivering an uncompromising, massive sonic attack.

What were the big challenges in making this record?
Rochman: We did an improvised song (“Battledick”). That was a pretty big challenge because we didn’t know how it would turn out. We had a day that we knew we were going do something that was a little unknown. We did a show in Kingston a couple years ago and it was on this condemned road and we had bought a Theremin and we had a generator. We had kind of joked around that Battledick would be our band name, and this song is sort of referencing that.

What do you think this album conveys about your band?
The first seven-inches were just kind of like an overwhelming attack but I think this one shows something more versatile. I don’t think we’ll be pigeonholed as much.

Was there any specific boundary you wanted to push?
We’re expanding. We’ve been doing it for so long and we’ve spent so much time doing it. Some people have lots of bands and side-projects and they push their preferences and tendencies into these other bands but we sort of have an anything goes policy where every idea is okay and we just go for it. (Divorce)

A Verse Unsung - The Autumn EP
The Artist Life - Living
Bob Burns And The Breakups - Terminal Breakdown
Chuck Ragan - Los Feliz
Cry Of The Afflicted - The Unveiling
The Doers - Gaiety
Guff - Symphony Of Voices
I Can Put My Arm Back On You Can’t - Stands For ICPMABOYC
Ill Scarlett - All Day With It
Ill Scarlett - All Day With It
The Joneses - Keeping Up With the Joneses
June - Make it Blur
Last Winter - Under The Silver of Machines
No Use For A Name - All The Best Songs
No Use For A Name - All The Best Songs
The Proton Energy Pills - Rocket To Tarrawanna
Reel Big Fish - Monkeys for Nothin’ and Chimps for Free
The Seminal Rats - The Essential (1984-1991)
Silverstein - Arrivals and Departures
Turbonegro - Retox
Various Artists - Cover Your Tracks
Various Artists - Ska is Dead
The Warriors - Genuine Sense Of Outrage
X27 - Antilove
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