Idlewild
Directed by Bryan Barber

By Erin Oke

Starring the boys from OutKast, Idlewild is a visually and aurally slick gangster movie set in Prohibition-era small town Georgia. The story follows childhood best friends Percival (André Benjamin) and Rooster (Antwan A. “Big Boi” Patton), the former a shy mortician who moonlights as a piano player and the latter a charismatic singer with a head for numbers and a family legacy of bootlegging.

They come together every night at a speakeasy called “the Church” to entertain the crowd with their anachronistic fusion of rap, jazz and blues. The friends both struggle to escape the shackles of their death- and violence-soaked family businesses but first have to deal with the evil Trumpy (Terrence Howard), the menacing thug who takes over the bootlegging business and starts shaking down Rooster and the Church.

Bryan Barber (best known for his work on a number of OutKast videos) directs the film with great style and flair, using cool visual tricks such as animation, fast motion and what looks like the equivalent of record scratching on film. This style, established from the beginning in an amazing sequence about Percival and Rooster’s childhood, sets a fantastical tone for the film that allows us to buy into its mash up of musical/visual styles and genres.

The script does drag in parts and the story embraces so many clichés that it is often predictable, although as an homage to a bygone era of films, perhaps some of that clichéd predictability is intentional. Either way, the musical numbers and the visual storytelling keep the film interesting and fun to watch.

The usually flamboyant André Benjamin shows a different side with his quietly emotional Percival, the film’s narrator and emotional centre, while Patton deftly portrays both Rooster’s onstage grandstanding and his private turmoil. The supporting cast is excellent as well, especially Ving Rhames’s wise and kind bootlegger, Macy Gray’s drunken blues singer, Terrence Howard’s cold-blooded bad guy and Ben Vereen as Percival’s embittered mortician father. (Universal)

The Illusionist - Dir. by Neil Burger
Playing a master of slight of hand, disappearances and other tricks of the 19th century illusionist’s trade, Edward Norton manages to distract us only briefly before we realise that there’s not much behind this tale of supernatural romance. ...Read More
Accepted - Dir. by Steve Pink
Accepted follows the long-running tradition of comedies that root for the underdog as he’s pitted against some unpleasant force that must be conquered and fed a piece of that tasty humble pie. ...Read More
A Sunday in Kigali - Dir. by Robert Favreau
All The King’s Men - Dir. by Steven Zaillian
Crank - Dir. by Mark Neveldine and Brian Taylor
Dreamland - Dir. by Jason Matzner
Employee of the Month - Dir. by Greg Coolidge
Flyboys - Dir. by Tony Bill
Half Nelson - Dir. by Ryan Fleck
Hollywoodland - Dir. by Allen Coulter
Invincible - Dir. by Ericson Core
Riding Alone for Thousands of Miles - Dir. by Zhang Yimou
Shadowboxer - Dir. by Lee Daniels
Shortbus - Dir. by John Cameron Mitchell
The Black Dahlia - Dir. by Brian De Palma
The House of Sand - Dir. by Andrucha Waddington
The Last King of Scotland - Dir. by Kevin MacDonald
The Quiet - Dir. by Jamie Babbit
The Science of Sleep - Dir. by Michel Gondry
The War Tapes - Dir. by Deborah Scranton
The War Tapes - Dir. by Deborah Scranton
The Wicker Man - Dir. by Neil LaBute
Trust the Man - Dir. by Bart Freundlich
Vancouver, BC rapper/producer Moka Only has always been diverse, dropping everything from dusty underground jams to shiny commercial songs, but Melba might just be his most out there yet, invading Kool Keith's turf. Most of Moka's beats for Melba are made with emphasis on the low-end o... Full Review
Based on Vancouver Island, Vinyl Record Guru is the brainchild of music industry veteran David Read. With over 25 years in the music business in both Canada and the U.S., and with extensive experience in manufacturing, distribution, retail and as an artist, David has been involved in pressing millions of records.... Read More
"I pretty much had a meltdown," Owen Pallett admits, laughing ruefully. "This record took a lot out of me." The 30-year-old violin genius didn't name his third full-length album Heartland for nothing. It's all blood, guts, emotion, and his own money that Pallett's poured into the epic, orchestral release, a project that was four years in the making, and according to some anxious and critical fans, long overdue.... Read More
Social Networking
• Be our friend on MySpace
• Be our fan on Facebook
Tweet us on twitter
Viewing the September 2006 Issue: Contents PageNewsClick Hear • Articles --> On the Cover  •  Front Five  •  Points  •  Comics  •  Questionnaire  •  Research  •  Videogames • Music Reviews --> Recently Reviewed  •  Aggressive Tendencies  •  Beats & Rhymes  •  Frequencies  •  Groove  •  No Future  •  Pop Rocks  •  Wood, Wires & Whiskey  •  Concert Reviews  •  Hillside Festival Reviews • Motion Reviews --> Recently Reviewed  •  Dvd Reviews  •  Film Reviews  •  Music DVD Reviews  •  Videogame Reviews • Music School --> Label Life  •  Meet & Greet  •  Need to Know  •  What I Play Contests • Contact --> About Us  • Advertising  • Distribution  • Getting Reviewed  • Getting Published  • Letters To The Editor  • Partnerships  • Subscriptions • Exclaim! Radio --> Aggressive Tendencies Radio  • Beats & Rhymes Radio  • Frequencies Radio  • Destination Out Radio  • Groove Radio  • No Future Radio  • Pop Rocks Radio  • Wood, Wires & Whiskey Radio Exclaim! TV • Home & Latest Issue Browse Issues